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30 Years Ago: Ratt Releases ‘Out of the Cellar’

by Eduardo Rivadavia March 27, 2014 1:30 PM

When ’80s glam metal titans Ratt came crawling ‘Out of the Cellar’ with their aptly named debut on March 27, 1984, that title may as well have spoken for an entire generation of brash, ambitious wannabe stars, whose desperate drive for fame and glory had been fomented by years of neglect from the music industry at large.

Ever since Van Halen had broken through soft rock’s velvet-gloved stranglehold upon the Southern California music scene in the late-‘70s, hundreds of bright eyed hopefuls had been migrating into Tinsel Town to try and follow in VH’s snakeskin boots — and still record label executives seemed to have blinders on.

Not until Quiet Riot’s ‘Metal Health,’ and then Motley Crue’s ‘Shout at the Devil,’ attained impressive sales and chart benchmarks of their own in 1983 did all eyes suddenly seem to focus like spotlights on the Sunset Strip, and in the inevitable signing spree that followed, it was the quintet known simply as Ratt which rose to the top to become the movement’s next breakout story.

But Ratt was was anything but an overnight sensation, having started out as Mickey Ratt all the way back in 1976, and undergone multiple lineup mutations (including a long stretch with future Ozzy Osbourne guitarist Jake E. Lee) until 1983, when vocalist Stephen Pearcy, guitarists Robbin Crosby and Warren DeMartini, bassist Juan Croucier and drummer Bobby Blotzer finally got a chance to record an eponymous EP for a local independent label.

And so, once the following year’s belated burst of record label interest saw Ratt snapped up by mighty Atlantic Records, the quintet was beyond ready for its close-up, thanks to a wealth of material written over the years (together and with several side bands) that allowed them to make short work of recording the aforementioned ‘Out of the Cellar’ at famed Sound City Recording Studios with the help of producer Beau Hill.

The results, once released, helped define the hair metal aesthetic that would rule the remainder of the decade, via songs like ‘Wanted Man,’ ‘Back for More’ and ‘Lack of Communication,’ combining the hit-making hooks of Van Halen with the classic American hard rock of Aerosmith, the staccato riffs of Judas Priest and their European metal brethren thrown in as a twist.

And in the Top 5 rock radio smash, ‘Round and Round,’ Ratt delivered what is arguably the definitive single from the L.A. metal scene, bar none — complete with a memorable music video starring Hollywood legend Milton Berle (whose brother Marshall managed the group) that became a staple of MTV, lifted ‘Out of the Cellar’ to No. 7 on the Billboard charts, and turned thousands upon thousands of new fans across the country onto the hot new sound emanating from the Sunset Strip.

Indeed, not even cynical critics could stop the Ratt juggernaut from winning what seemed like a sprint for ‘80s metal supremacy in a year when some of heavy metal’s older generation of marathon runners — including Priest and the Scorpions, whose career-making ‘Love at First Sting’ was coincidentally released on the very same day as ‘Out of the Cellar’ — were finally earning some long deserved gold and platinum medals of their own in this new age of metal.

Read More: 30 Years Ago: Ratt Releases 'Out of the Cellar' |

ROCK AND ROLL HALL OF FAME Inductees To Be Announced Next Week

Pure Rock Newswire

The inductees into the Rock And Roll Hall Of Fame in 2011 will be announced on December 15 at 10:30 a.m. EST on the web site.

The list of nominees for this go-round includes legendary rocker ALICE COOPER, BON JOVI, BEASTIE BOYS, CHIC, Neil Diamond, Donovan, Dr. John, J GEILS BAND, LL Cool J, Darlene Love, Laura Nyro, Donna Summer, Joe Tex, Tom Waits and Chuck Willis.

Cooper released the following statement in response to the announcement that he is among 15 artists who were nominated for induction into the Rock And Roll Hall Of Fame in 2011:

"On behalf of Dennis (Dunaway), Neal (Smith), Michael (Bruce) and the late great Glen (Buxton), we are honored to be nominated for induction in to the Hall. Anytime you are nominated in your chosen profession, it's definitely a compliment to be recognized.

"It's hard to fathom possibly being in the same club as artists who inspired us originally, like THE BEATLES, THE [ROLLING] STONES, THE BEACH BOYS, THE WHO, THE YARDBIRDS, and Chuck Berry, and to be nominated the same year as legendary artists like my personal favorite songwriter of all time, Laura Nyro, as well as Donovan, who sang on our 'Billion Dollar Babies' record, and our good friends in Bon Jovi, is a great feeling.
"Five guys starting a band, just hoping to meet girls and drink free beer, rehearsing and playing local bars five hours a night for the first few years — that was us. We came up with the theatrics and made every effort not to sacrifice the music one bit; we thought it was like our job to bring theatrics to rock 'n' roll. And then, amazingly enough, we were having a bunch of massive hit records which was proof that theatricality and rock 'n' roll could, in fact, be joined successfully. We've been told that we revolutionized the live concert experience and if that's truly the case and it's led to this nomination for induction into the Hall of Fame, the only thing to say is, of course, 'There's no business like show business!'"

The 26th annual induction ceremony will be held on March 14, 2011 at the Waldorf-Astoria in Manhattan.

To be eligible for nomination into the Rock And Roll Hall Of Fame, an act must have released its first single or album at least 25 years prior to the year of nomination. This year's nominees had to release their first single no later than 1985.

Ballots were sent to more than 500 voters, who selected the artists to be inducted at the induction ceremony, which will be televised live on Fuse.




SODOM Announces New Drummer

Pure Rock Newswire

German thrash metal veterans SODOM have announced the addition of drummer Markus "Makka" Freiwald to the group's ranks.

Freiwald previously played for the German bands DESPAIR and FLAMING ANGER and was involved with the VOODOOCULT project. In addition, he played percussion as a session musician on the MOONSPELL album "Irreligious" and is featured on the 1996 LP "Triarchy Of The Lost Lovers" by Greek extreme metallers ROTTING CHRIST.

A photo of SODOM's new lineup can be found below.

SODOM last month parted ways with drummer Bobby Schottkowski due to "personal and private problems between Tom [bassist/vocalist Thomas 'Angelripper' Such] and Bobby," according to a statement released by the band.

SODOM's new album, "In War And Pieces", entered the German Media Control chart at position No. 64. The CD will be released in North America on January 11, 2011 via SPV/Steamhammer.

"In War And Pieces" track listing:

01. In War And Pieces
02. Hellfire
03. Through Toxic Veins
04. Nothing Counts More Than Blood
05. Storm Raging Up
06. Feigned Death Throes
07. Soul Contraband
08. God Bless You
09. The Art Of Killing Poetry
10. Knarrenheinz
11. Styptic Parasite

The "In War And Pieces" track is available for streaming on the band's MySpace page.

For Thomas "Angelripper" Such, his thrash metal band SODOM is a perfect vehicle to bluntly take a stand. Like few other musicians on this scene, he personifies — along with down-to-earthiness and honesty — a healthily critical position on political authorities and decision-makers from finance and industry. On their latest album, "In War And Pieces", SODOM focuses on the worst excesses of power: arrogance, greed, spotlight-seeking, fanaticism, corruption, cowardice and oppression. Tom strates, "I've always written about what's going on in the world, about the injustice and mistakes that happen everywhere. I know that you can't change anything politically that way, but I would like to at least comment on the situation and generate an awareness of this deplorable state of affairs. Being a singer in a metal band allows me to voice my anger to a large audience."

This uncompromising attitude marks the eleven songs on sodom's latest album which could hardly sound more dynamic and violent. "In War And Pieces" owes its bloodcurdling energy largely to producer Waldemar Sorychta (GRIP INC., ENEMY OF THE SUN), whose great skill and commitment were instrumental in creating the album's — as Tom calls it — "phat, brutal and open" sound. With Sorychta's support, Angelripper (vocals, bass), Bernemann and Bobby Schottkowski succeeded in adding new impulses to their music without watering down the band's long tradition. "Waldemar is a great musician himself and has done some brilliant work, especially on the guitar sound," Tom explains. "He knows how to get the absolute maximum out of a speaker."

As brutal as the production is the diverse songwriting on "In War And Pieces", a kind of tour de force through the whole history of thrash metal, featuring harsh arrangements, melodic solos and raging vocal attacks. "I feel that we sound more contemporary and structured than we did on our recent releases," Tom analyzes. "At the same time, there are also references to recordings such as 'Persecution Mania' and 'Agent Orange'. After VENOM, SODOM were the world's first angry band, and nothing has changed that." Tom lists as examples the impressive title track, as well as "The Art Of Killing Poetry" with its ultra-deep guitar atmospheres and the German-language song, 'Knarrenheinz', which holds up the tradition of classics such as 'Bombenhagel' and "Ausgebombt". "Knarrenheinz is the mascot on the album cover, that's why I felt he deserved his own lyrics," Tom grins. Talking of album covers: the artwork was designed by Eliran Kantor, who enjoys an excellent reputation on the scene thanks to his work for renowned acts such as TESTAMENT, GWAR and MEKONG DELTA.








Pure Rock Newswire

The reunited original lineup of one of the most influential hardcore punk/metal bands, BIOHAZARD, has inked a deal with Nuclear Blast Records for the world outside North America. The group's tenth studio album is scheduled for an early 2011 release. The follow-up to 2005's "Means To An End" is being produced by Toby Wright, who has previously worked with KORN, SLAYER, MÖTLEY CRÜE, KISS, FEAR FACTORY, IN FLAMES, STONE SOUR and OZZY OSBOURNE, among others. Songtitles set to appear on the CD include "Decay", "Screaming For Change" and "Vengeance Is Mine", the latter of which the band debuted during its 2009 European tour.

BIOHAZARD's new album marks the first time the four original members — Evan Seinfeld (vocals, bass), Billy Graziadei (guitar, vocals), Danny Schuler (drums) and Bobby Hambel (guitar) — have recorded together since 1994's breakthrough CD "State Of The World Address".

Comments Nuclear Blast A&R representative Jaap Wagemaker: "We at Nuclear Blast have been longtime fans since we first saw BIOHAZARD on tour with WARGASM and at the legendary Dynamo Open Air where they played no less than four times! Judging by the sheer power, enthusiasm and pleasure that I have seen them unleash live by playing their classics, the new album promises nothing less than another milestone in their career."

States Schuler: "Finally, we are in the studio recording our first record together with the original lineup since 1994! 16 years! Feels like a lifetime since we last did this together, and the experience has been amazing. We've recorded over an hour of music, and we are extremely excited and grateful to be able to share it all with you." Seinfeld says the new album will contain "bone-crushing riffs fused with dark melodies and uncompromising lyrics rapped at you like Only BIOHAZARD can deliver… the danger is back." Wright adds, "This is the BEST hardcore band in the world, and this is going to be a kick-ass record that proves that is a fact."

In a recent interview with AOL's Noisecreep, Seinfeld stated about BIOHAZARD's new material, "The music is the best we've ever written. I'm nervous, because it's almost too good."

According to Seinfeld, BIOHAZARD's forthcoming album is more "introspective" than the band's previous efforts. "We're hardened guys who seen a lot and have been growing toward self-actualization," Seinfeld told Noisecreep. "The song 'Decay' is about the environment. We will always address politics, inner struggles and dysfunction. And while this is not a brand new subject, it's still a new look."

In an interview with Gun Shy Assassin, Seinfeld described the new BIOHAZARD material as "big, nasty, metal and hardcore" with "melody and hooks, which we've never had before," and promised that the new stuff was heavy, with "moments that feel like 'Urban Discipline' [1991] or 'State of the World Address' [1994]." He said it was "pissed off and thrashy and there are a lot of those intense old-school moments."

BIOHAZARD last year finished a 22-month reunion world tour where the band played 100-plus shows on five continents.

Upcoming BIOHAZARD shows:

Dec. 16 - Best Buy Theater, New York, NY (w/ LIFE OF AGONY)
Mar. 18 - Colchester Arts Centre, Essex, UK
Mar. 19 - Hammerfest, Prestatyn Sands, UK
Mar. 20 - Wedgewood Rooms, Portsmouth, UK
Mar. 21 - W2, Den Bosch, Holland




DEVILDRIVER: 'Beast' Artwork Unveiled

Pure Rock Newswire

The cover artwork for "Beast", the fifth album from Santa Barbara, California metallers DEVILDRIVER, can be viewed below (courtesy of Due on February 22, 2011 via Roadrunner Records, the CD was recorded at Sonic Ranch studios in Tornillo, Texas with producer Mark Lewis (TRIVIUM, CHIMAIRA, ALL THAT REMAINS) and is currently being mixed by acclaimed British producer Andy Sneap (MEGADETH, EXODUS, MACHINE HEAD, NEVERMORE, ARCH ENEMY) at his Backstage studio in Derbyshire, England. The band recorded 14 songs during the "Beast" sessions, with 11 or 12 tracks expected to make the final cut.

Songtitles set to appear on the CD include:

* Dead to Rights
* Hardened
* Bring The Fight (To the Floor)
* Shitlist
* Talons Out (Teeth Sharpened)
* Blur
* You Make Me Sick (Sacred Secrets)
* The Blame Game
* Coldblooded
* Crowns of Creation
* Lend Myself to the Night

"The record is extreme," vocalist Dez Fafara told Revolver magazine. "And it attacks from start to finish. If you liked [2007's] 'The Last Kind Words', this is like that on steroids and crank, driving a Buick Skylark 200 miles an hour straight to Vegas."

"I felt like I was waking up and experiencing a moment of clarity that brought out all these pissed off, negative emotions," Fafara said of making the album. "It's an all-out release of pain.

"It's been a beast of a year and a half, and it's still going," he added.

Regarding the new album's musical direction, drummer John Boecklin stated, "It's interesting to me — it's not the fastest shit we have done, nor the slowest, [but it] just [has] lots of groove. But to me, when people say 'it's got groove,' I think it's a nice way of saying simple and boring these days. We wanted to avoid this.

"Our record has a great contrast of dark riffs, stomp bouncing drums with the right amount of blasts and double bass, and outstanding vocal delivery from Dez that takes it past your average approach of the metal attempt. I'm not talking about reinventing the wheel or nothing. I just think our new album sits in its own corner from any of our other albums."

DEVILDRIVER's latest CD, "Pray For Villains", sold around 14,600 copies in the United States in its first week of release to debut at position No. 35 on The Billboard 200 chart.






Dec. 8th Marks Six-Year Anniversary Of DIMEBAG DARRELL's Death

Pure Rock Newswire

Wednesday (December 8th) marked the six-year anniversary of the death of PANTERA and DAMAGEPLAN guitarist "Dimebag" Darrell Abbott. Abbott, one of the most beloved and respected musicians in hard rock, was shot onstage during a DAMAGEPLAN concert at the Alrosa Villa club in Columbus, Ohio by a 25-year-old ex-Marine named Nathan Gale. Gale murdered a total of four people and wounded three others before being killed himself by police officer James D. Niggemeyer, who arrived on the scene minutes after Gale began his rampage.

According to The Pulse of Radio, Gale seemed to deliberately target Abbott, leading to speculation that the young man, who had a history of mental illness, held a grudge against Abbott and his brother, drummer Vinnie Paul, for the break-up of PANTERA in 2002. Columbus police closed their investigation in October of 2005 without establishing a motive for the shootings.

AOL's Noisecreep spoke to former PANTERA singer Philip Anselmo about the murder earlier this year, and he said the memory still haunts him. "I will say that with each passing year, it gets harder and harder and harder. This year was really rough," he said of his contribution to the reissue of the band's classic 1990 album, "Cowboys From Hell", without Dimebag's help. "When I look around today and see what an impact that we made, and where heavy metal is at today, and I think of what could have been? What should have been? It's very hard. It's hard to come to grips with it."

Abbott and Paul formed PANTERA in the mid-Eighties in Texas. The band recorded four independent albums before their 1990 major label debut, "Cowboys From Hell", introduced a heavier sound and made them a favorite with metal fans. 1994's "Far Beyond Driven" debuted at No. 1 on the Billboard Top 200 without benefit of a commercial hit single.

The group splintered in 2002 following the departure of volatile lead singer Philip Anselmo. Dime and Vinnie, as they were known to their fans, regrouped with DAMAGEPLAN, releasing the band's debut album, "New Found Power", in February of 2004. The group was touring in support of the record at the time of the shootings.

Abbott's death was a devastating blow to the close-knit hard rock and metal community. He was known to his fellow musicians for his hospitality, friendship and partying spirit, and was a legend among fans and peers for his powerful, innovative and unmistakable playing style.

Several of Dime's final projects, including a country-metal album called REBEL MEETS REBEL and a DVD titled "Dimevision - Vol. 1: That's The Fun I Have", were issued in the years following his death by Big Vin Records, a label started by Vinnie Paul. Paul told The Pulse of Radio a while back that activities continue to keep Abbott's memory alive. "It's very important to me to make sure that Dime's legacy lives on forever, and I think without anybody even tryin', it will, you know," he said. "But I just want to make sure that the things that are still here that he was part of, can increase that and just be one more thing that lends credence to his legend, you know."

Vinnie Paul told The Pulse of Radio in early 2004, before Dime's death, that he had the utmost respect for his brother as a musician. "I tell people all the time, he's the most talented person I ever met in my life," he said. "Not just 'cause he's my brother, but it's just, that's how I feel about it. On this DAMAGEPLAN thing, Dime gets out there and rips a solo every night and I can't believe how much of a rush it is just still to hear him get up and play and then hear the crowd start chanting 'Dimebag' and all that. It's a good time, man."

Dime also spoke about his relationship with his brother. "Our brotherhood is a true brotherhood and we both have the same goal," he said. "You know, it wasn't like in somebody else's family — 'Well, Johnny got a A-plus this week, you got a C-minus, up yours,' you know. It was never a competition kind of thing with us, you know, we both had the same goal. And we're like best friends more so than brothers, you know."

Dime and Vinnie Paul were known as two of the hardest-partying rockers around, and Dime told The Pulse of Radio that their motto was "everyone is welcome." "You know, we don't judge people for what kind of music they play or what kind of people they are or what kind of haircut they got, or anything," he said. "We're just into hangin' and cuttin' up, you know, and there's always gonna be a nut to find in somebody, you know. And hey, if they're ever wantin' to hang and have a good time, we're open to it, man, any time, and we're gonna have a good fuckin' time and they don't forget it."

Other musicians on Dimebag:

Corey Taylor (SLIPKNOT): "Every time I hung out with Dime, dude, it was just laughing. I just remember laughing my ass off, 'cause he was just one of the funniest guys, you know. And he was just one of the best dudes, man, and probably one of the best guitar players I've ever seen. Not only live, but just everything, you know. He just made it look fuckin' effortless."

Rob Halford (JUDAS PRIEST) on Abbott's legacy: "His music will live forever, and that's the wonderful thing about what we do as recorded musicians — our music will be around a lot longer than we will. So we have his music to cherish, and he still will be an inspiration to guitar players, as he was with PANTERA and with DAMAGEPLAN. So, you know, we'll miss him dearly."

David Draiman (DISTURBED): "During our second Ozzfest, we were holed up in Dallas for about two or three days … hanging out at Dime's place — it was an eclectic house. There's all kinds of PANTERA memorabilia and Dimebag memorabilia all over the place. But you could never make the mistake of falling asleep at Dime's. He'd wake you up the way he always did: with firecrackers. He'd always set off an entire chain of firecrackers not two inches from my head. One time … Dime took us to a strip club where we all judged a bikini contest. There was never a wrong time in the day for Dime to hit a strip club. … Dime was just this character who was very easy to love. He didn't have a bad bone in his body, and was ready to give you the shirt off his back at all times. It was his mission in life to make sure every single moment you spent with him was the best moment of your life. He was selfless."

Zakk Wylde (BLACK LABEL SOCIETY, OZZY OSBOURNE): "Whenever you were around Dime, there was never a boring moment. He was the coolest guy on the planet. He was an even better person than he was a guitar player, if that's even possible. Whenever me and him would hook up, forget about it, bro. We'd always have to have a spare kidney, liver and pancreas on ice."

Brian Fair (SHADOWS FALL): "Dime seemed to have a real problem with the clock on our tour bus. It all started with his tour manager trying to tell him it was time to leave. … We were having a good old time and Dime didn't want to go to bed. So, as soon as he was told it was time to leave, he grabbed the clock off of the wall and screams at the top of his lungs, 'There is no time!' and he smashed his hand right through it. The clock was made of glass and metal, and shrapnel flew everywhere. He went through three clocks on our bus like that. Anytime anyone tried to tell him it was time to go, he'd destroy the clock. He didn't want to end the party — he wanted it to keep going. We kept replacing the clock because we wanted to see what happened next."

Kerry King (SLAYER): "One thing we were going to do — me and Dime and I think Vince was going to play drums — we were going to do this tune together. They were going in to record the DAMAGEPLAN record, and I said, 'Dime, there's a song we need to do. I've always dug this song, and it always makes me think of you. I think we need to do it.' It was 'Snortin' Whiskey, Drinkin' Cocaine' by Pat Travers. We were all geared up to do it. He's like, 'Well, you know, they're busting my balls for press for the new record.' And I said, 'Well, what are we rushing for, dude? We've got all the time in the world.' And then something like that happens, and the harsh reality is, we could have done it then. It probably wouldn't have been as good as it could have been, but at least it would have been done, 'cause now it'll never get done. Maybe me and Zakk will do it and dedicate it to Dime."

Howard Jones (KILLSWITCH ENGAGE): "He was just a good guy, and he created some songs and some albums that were instrumental in inspiring me and the rest of this band. 'Vulgar Display' was an album that changed me, in a lot of ways. He was a huge part of my life, whether he knew it or not."

Joel Stroetzel (KILLSWITCH ENGAGE): "We were at the Metal Hammer Awards in London, where Dime won the award for best guitarist and threw it into the audience. I was walking by and I see Dimebag and [MÖTLEY CRÜE's] Nikki Sixx sitting on a couch together. Dime yells over to our other guitar player, Adam [Dutkiewicz], and says, 'Hey, you. Get over here.' So we walk over and he tells Adam, 'I haven't seen someone who's as big an asshole as you since Gene Simmons.' Then he hands Adam his bottle of Jack Daniel's. Onstage, Adam's just a nutcase — always jumping around and dancing, wearing short shorts and capes. He's a lunatic and Dime called him on it. It was pretty funny. … I learned to play guitar from old METALLICA, MEGADETH, TESTAMENT and PANTERA riffs. I wouldn't be playing this style of music if it weren't for him."

Vinnie Paul eventually joined a new band called HELLYEAH with members of MUDVAYNE. The group's debut album was recorded in the Dallas studio co-owned by Paul and Dime. MUDVAYNE and HELLYEAH singer Chad Gray told The Pulse Of Radio that it was a strange experience to work there. "It was bizarre," he said. "It really bothered me to kind of be there because, you know, there's a lot of greatness that happened in that room but there's a lot of pain that goes along with that. And you see it in Vin, like, going in there the first couple of times, it was hard for him. One night I think we were just kind of standing outside and I'm like, you know, there was just parts of me that kind of wished I wasn't there, because the only way that I wouldn't have been there is if Dime was still around."




Ex-WHITE ZOMBIE Bassist Discusses 'I'm In The Band' Book

Pure Rock Newswire

of the Dallas, Texas radio station 102.1 The Edge recently conducted an interview with former WHITE ZOMBIE bassist Sean Yseult about Sean's new book, "I'm In The Band - Backstage Notes From The Chick In White Zombie". The chat is now available for streaming HERE.

In a recent interview with LA Weekly, Yseult was asked why she decided to release the book. "It was inspired by our WHITE ZOMBIE box set," she replied. "A couple of years ago I was informed that we were finally releasing a box set with all of our history — the very first seven-inch to the last record. Management asked me for all of my ZOMBIE video footage to add a DVD, and I began to dig out the boxes out of storage. After more than ten years, what I found was mind-blowing. I not only had saved all of our old vinyl and bootleg videos, but there were piles of tour diaries, photo albums, laminates, notebooks, my old journals of booking tours, everything that covered the history of our career. When we met in design school, I was a photo major, so I took photos of the band and me and Rob since day one. While I was sorting through this treasure trove, [guitarist] J. and I were told the box set was already in print without our input — no liner notes, no history, nothing. That was a shame, because J. also had 10 boxes of amazing history. Shortly after the release, I began receiving tons of mail from fans who felt robbed — they had been waiting so long for something comprehensive, some insight into the freakshow that was ZOMBIE, and they received none. I knew I had to do something with all of my material, and tell my story of WHITE ZOMBIE. Having been the other co-founder of the band, I was the only person besides Rob who could tell the story from beginning to end. Of course it's from my perspective, but I also include input from many members and ex-members of WHITE ZOMBIE, as well as some key players along the way. I spent the first year writing, photographing, and scanning items to create the book, and the second year writing more and gathering writings and photos from others. It is exactly how I envisioned it: a collaged coffee table book, with a lot of commentary."

When asked what her relationship with Rob was like now and how she thought he'll feel about the book, Yseult said, "He hasn't spoken to any of us for years — his choice, not ours — so I have no idea what he thinks of this book. After his solo record, the press asked him a similar question in regards to me and J., and he responded with a rather negative retort, 'I don't give a rat's ass.' I guess I would have to return the sentiment if he had any issues with the book, really. I have no idea if he will like it or hate it or just ignore it since I decided not to 'let sleeping corpses lie,' as he seemed to have wanted with the box set.




AMARANTHE Completes Work On Debut Album

Pure Rock Newswire

(formerly AVALANCHE) — the new project featuring Olof Mörck (NIGHTRAGE, DRAGONLAND), Jake E (ex-DREAM EVIL, DREAMLAND), Andy Solveström (WITHIN Y, EVILDOER, CIPHER SYSTEM), Morten Lowe Sorensen (THE ARCANE ORDER, SUBMISSION) and Johan Andreassen (ex-ENGEL) — has completed work on its as-yet-untitled debut album at Hansen Studio in Ribe, Denmark with producer Jacob Hansen (VOLBEAT, MERCENARY, NIGHTRAGE) for a spring 2011 release via Spinefarm Records.

Commented guitarist Olof Mörck: "After two long months in Danish exile away from our homes in Sweden, we have now reached that magical milestone where we can consider this album finished! It means no rest for us, however, with videos to be recorded and all that stuff, plus, more importantly, [plans to] kick off the new year with a headline show in Gothenburg, on to Tunisia and Belgium later [in 2011] — plus another 18 shows in 13 countries to be announced soon! Don't miss AMARANTHE when we come to YOUR town in 2011!"

AMARANTHE vocalist Elize Ryd was selected to fill the female singer spot on KAMELOT's last European tour.

Mörck previously stated about the band: "AMARANTHE has for long been an idea between me and Jake E to break out of the mold of our past projects and create something new and fresh entirely and to give room for ideas not appropriate for the other acts and projects we are part of. The result is an onslaught of soaring melodies, heavy riffing and guttural screams from the netherworld, a result of having three singers in the band; Jake E on clean vocals, cabaret virtuoso Elize on female vocals and Andy on screams. The result is a quite distinct sound, especially combined with the music itself that draws upon influences from a varied spectrum of genres, all to create a thrilling experience for the listener. Another defining feature of AMARANTHE is the idea of a collective — everyone from superstars of the industry to just generally talented people will lend their unique skills to AMARANTHE on the coming album. This, however, won't stop AMARANTHE from being a tour de force in live shows and tours, since the core of this metal machinery is based primarily on the regular members."


* Olof Mörck (NIGHTRAGE, DRAGONLAND) - Guitar, Keyboards
* Jake E (ex-DREAM EVIL, DREAMLAND) - Clean Vocals
* Andy Solveström (WITHIN Y, EVILDOER, CIPHER SYSTEM) - Screams
* Morten Lowe Sorensen (THE ARCANE ORDER, SUBMISSION) - Drums
* Johan Andreassen (ex-ENGEL) - Bass
* Elize Ryd - Female Vocals

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OMNIUM GATHERUM: New Album Details Revealed

Pure Rock Newswire

Finnish melodic death metallers OMNIUM GATHERUM will release their fifth album, "New World Shadows", via Lifeforce Records on the following dates:

Germany, Austria, Switzerland: February 4, 2011
Sweden, Finland, Hungary: February 9, 2011
Rest Of Europe: February 7, 2011
North America: March 1, 2011

The CD was recorded at Astia Studios in Lappeenranta, Finland with Teemu Aalto, and was mixed and mastered at Unisound Studio in Örebro, Sweden by Dan Swanö (EDGE OF SANITY, HAIL OF BULLETS, NOVEMBERS DOOM).

"New World Shadows" track listing:

01. Everfields (9:17)
02. Ego (4:07)
03. New World Shadows (6:00)
04. Soul Journeys (4:54)
05. Nova Flame (4:10)
06. An Infinite Mind (5:43)
07. Watcher Of The Skies (4:17)
08. The Distance (3:59)
09. Deep Cold (9:29)

Regarding the material for the band forthcoming CD, OMNIUM GATHERUM previously said in a statement, "This time we really put a lot of time and effort on the pre-production of the stuff.

"It's going to be an epic and massive attack of ever-flowing stream of Finnish 'melodic death metal,' straight from the souls of black."

OMNIUM GATHERUM recently parted ways with guitarist Harri Pikka after "13 years of solid service." He has since been replaced by session axeman Joonas Koto (MALPRACTICE, ex-TO/DIE/FOR, ex-HATEFRAME).

Released in October 2008 in the U.S. via Candlelight Records, OMNIUM GATHERUM's last album, "The Redshift", was recorded at Sound Supreme Studios in Hämeenlinna, Finland with Janne Saksa and SouthEastSounds studio in Karhula with Teemu Aalto.

An e-card for the CD can be accessed at this location.